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2025 at the North Carolina Folklife Institute: Stories, Partnerships, and the Work Ahead

2025 at the North Carolina Folklife Institute: Stories, Partnerships, and the Work Ahead

December 18, 2025

As 2025 comes to a close, the North Carolina Folklife Institute reflects on a year shaped by collaboration, listening, and deep engagement with communities across the state. Our work this year centered the people who carry cultural knowledge forward – artists, tradition bearers, apprentices, and public servants – and the partnerships that make this work possible.

From festival stages and public conversations to apprenticeship mentoring and ethnographic fieldwork, 2025 reaffirmed NCFI’s role as a collaborative partner in documenting, supporting, and sharing North Carolina’s living cultural traditions.

Sharing Carolina Gospel Traditions at Raleigh Wide Open

One of the most visible moments of the year was NCFI’s Gospel Program at the inaugural Raleigh Wide Open Music Festival, presented in partnership with the Piedmont Council of Traditional Music (PineCone).

Members of the gospel group Kingdom Voices United perform on the PineCone Stage at the Raleigh Wide Open Music Festival in downtown Raleigh at night.
Kingdom Voices United performing on the PineCone Stage at the Raleigh Wide Open Music Festival, October 4, 2025. The performance was part of the North Carolina Folklife Institute’s Gospel Program, presented in partnership with PineCone. Photo by Amy Grossmann.

We were honored to collaborate with Jared Payton, who served as artistic director for the program and curated five powerful gospel groups featured in six performances at the festival. These performances reflected the depth, diversity, and vitality of Carolina gospel traditions and included:

  • Jared Payton & The Legacy Chorale
  • Jalessa Cade
  • Kingdom Voices United
  • Chris Johnson & Freedom
  • The Gospel Jubilators

In addition to live performances, the Gospel Program included a series of intimate, humanities-driven panel discussions and presentations that invited audiences to listen closely to the stories, histories, and mentorship lineages that shape gospel music in North Carolina. These public conversations created space for reflection, learning, and intergenerational exchange, complementing the music heard on festival stages.

Participants from the Gospel Radio Lab panel discussions pose together on stage, with five people standing in the back row and five seated in the front row.
Participants in the Gospel Radio Lab panel discussions, presented as part of the North Carolina Folklife Institute’s Gospel Program at the Raleigh Wide Open Music Festival. Back row (left to right): Carolyn Pettiford-Ryals, Ernie Gaskins, Anthony Clark, Terence Jenkins, Debara Blackwell. Front row (left to right): Cardo Grant, Lee Cameron, Sam Tate, Jim Starr, Angela Breedlove. Photo by Amy Grossmann.

Humanities programs included:

  • The Gospel of the Blues with Appaloosa Redd
  • The Art of Gospel Quartet Bass Singing with Kendall Kent
  • The three-part Gospel Radio Lab series hosted by Cardo Grant

Together, these performances and conversations brought Carolina gospel traditions to downtown Raleigh in ways that centered both artistic excellence and cultural context. This work was made possible with support from the National Endowment for the Arts and the North Carolina Arts Council, and through close collaboration with PineCone and the City of Raleigh Museum.

Strengthening the Folklife Sector Through Apprenticeships

Collage of headshots showing three North Carolina Folklife Apprenticeship pairs—six artists and tradition bearers participating in the statewide apprenticeship program.
The 2025 North Carolina Folklife Apprenticeship pairs, representing one-on-one, community-based learning in the state’s folk and traditional arts – supported by the North Carolina Folklife Institute and South Arts. Left column (top to bottom): Jenny Pickens, Torri White-Garrison. Middle column (left to right): Daniel Ullom, Darren Nicholson. Right column (top to bottom): Ky’Lee Robison, Janna Girty.

In 2025, NCFI continued to administer the North Carolina Folklife Apprenticeship Program, supporting one-on-one, community-based learning across the state.

With support from South Arts, we selected and funded three new apprenticeship pairs, each representing a deep commitment to cultural transmission through mentorship, practice, and shared responsibility.

These apprenticeships are not simply instructional, they are relational. They honor how traditional knowledge is learned in community, across generations, and through sustained engagement over time.

Partnering with the North Carolina Arts Council

Throughout the year, NCFI worked in close partnership with the North Carolina Arts Council to support its folklife program and the broader statewide folklife sector.

This work included administrative support, advising and counseling for grantees and applicants, and site visits with folklife organizations and artists across North Carolina. These conversations took place in community spaces, rehearsal rooms, and workshops – reinforcing the importance of meeting artists and tradition bearers where they are, and of supporting cultural work on its own terms.

Jackson JAM students perform together on stage during their fall recital, with student musicians standing across the back of the stage and other students dancing in front.
Jackson JAM students perform the finale of their fall recital at Western Carolina University on December 12, 2025. The Junior Appalachian Musician program brings young musicians together for ensemble learning and performance. Photo by Amy Grossmann.

We are grateful for this partnership and for the shared commitment to strengthening folklife infrastructure statewide.

Supporting Community-Led Work Through Fiscal Sponsorship

In 2025, NCFI provided fiscal sponsorship to Son de Carolina, the community organization behind Fandango de Durham.

Through this sponsorship, Son de Carolina was able to secure funding from the City of Durham and the Durham Arts Council to support the 2025 Fandango – a vibrant, community-centered celebration rooted in Mexican son jarocho traditions. We are proud to extend NCFI’s nonprofit platform in ways that support community-led cultural work, and we look forward to the next Fandango de Durham in April 2026.

Musicians gather outdoors at night during Fandango de Durham, playing string instruments in a circle as community members look on under hanging lights.
Community musicians gather during an evening fandango at the 2025 Fandango de Durham, a community-centered celebration rooted in shared music, dance, and participation. The North Carolina Folklife Institute served as fiscal sponsor for the event. Photo by Iximche Media.

Looking Ahead: Humanities, Public Service, and Storytelling

In November 2025, NCFI was awarded a Large Project Grant from North Carolina Humanities to support a major new initiative with the Greensboro Fire Department as it prepares to commemorate its 100th anniversary as a fully professional department in 2026.

This year-long humanities project will combine ethnographic fieldwork, oral history, public exhibitions, panel discussions, and documentary storytelling to explore firefighting as both a public service and a culture-rich profession. The project emphasizes shared authority, collaborative interpretation, and the voices of firefighters themselves.

We are grateful to our project partners — the Greensboro Firefighter Historical Society, the Professional Firefighters of Greensboro, and the Greensboro Fire Department — and to NC Humanities for supporting this work.

Building Toward 2026

This year also marked the launch of NCFI’s new website, creating a more accessible and robust home for our programs, stories, and resources. As we move into 2026, we look forward to sharing new artist profiles, program documentation, and collaborative storytelling projects — including an upcoming partnership with the Smithsonian Center for Folklife and Cultural Heritage on feature stories highlighting North Carolina communities and cultural heritage tourism initiatives.

Above all, we remain committed to working alongside communities with care, respect, and curiosity.

Thank you to the artists, tradition bearers, partners, funders, and supporters who made this work possible. We look forward to continuing the work together in the year ahead.

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Filed Under: Apprenticeships, Central NC, Crafts, General, Music, Reflection & Tribute, Religion & Spirituality, Western NC

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